Dr.Aroop Chatterjee

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About

Hello! I am Dr. Aroop Chatterjee, an Assistant Professor in the Department of Music and Dance at Kurukshetra University, Haryana. Alongside my academic career, I am a professional Tabla artist, author, and educator belonging to the esteemed Banaras Gharana lineage. Music is my lifelong devotion, and I had the profound privilege of learning Tabla directly under the legendary maestro Pt. Chhotelal Mishra.

With over 25 years of teaching experience, I am deeply committed to preserving and passing on the rich cultural heritage of Hindustani classical music to both university scholars and global learners.

A Few Highlights of My Background:

  • National Recognition: I am a proud recipient of the prestigious Senior Fellowship from the CCRT (Centre for Cultural Resources and Training), Ministry of Culture, Government of India.

  • Academic Leadership: In my role as an Assistant Professor at Kurukshetra University, I guide students through rigorous academic music curricula, research, and performance standards.

  • Academic Excellence: I hold a Doctorate of Philosophy (Ph.D.) in Music from Indira Kala Sangeet Vishwavidyalaya, Khairagarh, specializing in the "Critical Analysis of Gats in Banaras and Farukhabad Gharana".

  • Recognized Artist: I am a "B High Grade" Artist of All India Radio (Akashvani) and Doordarshan, and have been honored with the "Taal Mani" Award by the Sur Singar Samsad Parishad, Mumbai.

  • Published Author: I have authored two foundational books on percussion literature: Basics of Tabla and Tabla Vadan Me Gat.

I teach a vibrant global student community spanning the US, Canada, Brazil, the UK, Europe, and India, guiding learners from absolute beginners to advanced university research levels.

 

Teaching Style

My Approach to Teaching

My lessons bridge the gap between historic lineage and modern university-level pedagogy. I teach the authentic, traditional compositions of the Banaras Gharana style, alongside standard techniques of the Delhi and Farukhabad Gharanas. Whether you are learning Tabla as a vibrant creative outlet or pursuing rigorous academic diploma certifications (such as Prayag Sangeet Samiti courses), my methodology focuses on:

  • Tailored & Patient Guidance: Every student moves at their own pace. I specialize in breaking down complex rhythmic laykaris, mathematical tihais, and swift relas into easy-to-understand execution steps.

  • Comprehensive Practical & Theory Focus: Drawing from my background in university education and research, I ensure students understand both the how and the why. We blend rigorous hands-on finger placement practice with deep music theory, solo performance structure, and accompaniment dynamics.

  • A Joyful Learning Space: I strive to keep the lesson environment positive, encouraging, and deeply engaging, creating a supportive space where mistake-making is welcomed as a natural stepping stone to growth.

Curriculum

Teaching Method & Pedagogy

My teaching method seamlessly blends the rigorous framework of university-level music education with the traditional, oral transmission style (Guru-Shishya Parampara) of the Banaras Gharana. I treat music as both a precise science and a profound art form.

Whether you are preparing for academic board examinations, university diplomas, or learning for personal enrichment, my methodology ensures a well-rounded foundation:

  • Nikash (Clarity of Stroke): We place intense focus on correct hand posture, finger placement, and striking techniques to produce a pure, resonant tone on the Tabla.

  • Rhythmic Mathematics: I simplify the complexities of Laykari (rhythmic variations), Upaj (improvisation), and the architecture of creating Tihais, Chakradars, and Relas.

  • Solo & Accompaniment Balance: Students learn the art of presenting a comprehensive dynamic solo performance, alongside the vital nuances of accompanying vocalists, instrumentalists, and Kathak dancers.

  • Bilingual Instruction: Lessons are comfortably conducted in both English and Hindi to accommodate a global student body.

Credentials & Affiliations

Credentials & Affiliations

Academic Positions & Roles

  • Assistant Professor | Department of Music and Dance, Kurukshetra University, Haryana, India   

    • Instructing, mentoring, and conducting advanced research for university-level music students.

National Fellowships & Recognitions

  • Senior Fellowship Recipient (2020–21) | Centre for Cultural Resources and Training (CCRT), Ministry of Culture, Government of India   

    • Awarded for dedicated, high-level research and contributions to Indian classical percussion music.

  • "Taal Mani" Award | Conferred by the prestigious Sur Singar Samsad Parishad, Mumbai

  • Graded Broadcast Artist | "B High Grade" Artist for All India Radio (Akashvani) and Doordarshan (TV)   

Formal Degrees & Education

  • Doctor of Philosophy (Ph.D.) in Music | Indira Kala Sangeet Vishwavidyalaya, Khairagarh (2015)   

    • Doctoral Thesis: "Critical Analysis of Gats in Banaras and Farukhabad Gharana"

  • UGC NET Qualified | National Eligibility Test in Music (December 2012)   

  • Master of Arts (M.A.) in Tabla | Indira Kala Sangeet Vishwavidyalaya, Khairagarh (First Division)   

  • Advanced Musical Diplomas | Sangeet Nipun, Sangeet Visharad, and Sangeet Prabhakar (Tabla & Vocal) achieved with distinction from premier institutions.   

Gharana Lineage & Training

  • Traditional Disciple (Shishya) | Trained extensively under the direct tutelage of the legendary maestro, Pt. Chhotelal Mishra.

  • Lineage | Authentic practitioner and torchbearer of the traditional Banaras Gharana style of Tabla playing.   

Published Literature

  • Basics of Tabla (2022) — Theoretical and practical textbook for foundational study.   

  • Tabla Vadan Mein Gat (2020) — Advanced musicological work analyzing complex compositional styles.