Fernanda Chieco

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Drawing, Painting, Watercolor, Pastels, Ink painting, Paper Art, Mixed Media, Sculpture, Photography, Portfolio Preparation for Art School Admissions, Visual Art Portfolio Prep, Arts, Artist Management, Artist Development, Artist Guidance, World History
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About

I am a professional visual artist and art educator with more than 30 years of international experience. Throughout this time, I have worked full-time as an artist, developing my practice through exhibitions, research, artist residencies, and projects in different countries.

I hold a Master’s degree in Fine Arts from Goldsmiths College, University of London, and a Bachelor’s degree in Fine Arts and Art Education from the Universidade de São Paulo (USP), Brazil. My work has been exhibited internationally in museums, galleries, biennials, and cultural institutions, and is represented in public and private collections in Brazil and abroad.

Teaching became an important part of my practice as I recognized that many artists encounter the same questions and difficulties that I have faced throughout my own career: how to develop an individual artistic language, how to position a practice within contemporary art, and how to create a professional path without losing what is particular about one’s own work.

Over the years, I have developed an individualized approach centered on each student’s own artistic poetics. I work with drawing, painting, conceptual development, research, portfolio preparation, artist statements and project proposals, as well as mentoring for art school, university, residency, grant, and exhibition applications.

I teach complete beginners, art students, emerging and professional artists, as well as people who are not artists but would like to understand contemporary art and the art world more deeply.

My teaching is grounded in contemporary artistic practice. Technical development is combined with experimentation, critical thinking, art history, current exhibitions, artists, publications, theory, and criticism. I encourage students to understand how their own work can enter into dialogue with the wider field of contemporary art while developing a language and direction that remain genuinely their own.

Teaching Style

My teaching is highly individualized, collaborative, and exploratory. I believe that learning art involves much more than acquiring technical skills: it is also about developing perception, curiosity, critical thinking, and an individual visual language.

I do not teach through copying alone or impose a particular style on my students. Instead, I help each person understand what interests them, what they want to communicate, and which techniques, materials, references, and working methods can best support those intentions.

For beginners, I provide a clear and supportive structure while introducing the fundamentals of drawing, painting, composition, observation, color, and materials. As confidence develops, I encourage greater experimentation and independence.

With more experienced students and practicing artists, lessons can become a space for critical dialogue and mentoring. We may discuss works in progress, artistic references, conceptual questions, portfolio development, exhibitions, applications, or the broader direction of an artistic practice.

Constructive feedback is an important part of my teaching, but I see teaching as a conversation rather than a formula. Every student brings a different history, way of seeing, pace, and set of ambitions. My role is to help them identify their strengths, challenge habits when necessary, and develop the confidence to make increasingly conscious and personal artistic decisions.

Curriculum

I begin by understanding each student's background, interests, current work, and goals. From there, we develop an individualized plan that may combine practical exercises, independent projects, discussion, visual research, art history, reading, writing, and regular critique.

Depending on the student's needs, lessons may include observational drawing and painting; composition, color, and materials; sketchbook development; experimentation and conceptual exercises; analysis of artists and artworks; discussion of works in progress; and the development of longer-term personal projects.

For students preparing portfolios, I help organize and strengthen the relationship between research, experimentation, process, finished work, and written reflection. I also mentor students preparing artist statements, project proposals, residency or grant applications, exhibition proposals, and applications to undergraduate and postgraduate art programs.

I support GCSE and A-Level Art students with coursework and portfolio development, and IB Visual Arts students with the Process Portfolio, Comparative Study, and Exhibition. In these cases, we work both with the requirements of the program and with developing a portfolio that retains the student's individuality rather than becoming merely an academic exercise.

I do not require one standard textbook. Reading and visual references are selected according to each student's interests and stage of development. These may include artists' writings, interviews, exhibition texts, art criticism, art history, literature, philosophy, and contemporary cultural references. Whenever appropriate, I also introduce artists and texts that can expand the student's understanding of the questions emerging from their own work.

Students are encouraged to keep a sketchbook or working notebook where they can collect drawings, observations, images, ideas, questions, research, and experiments. I see this ongoing process as an important part of developing an independent artistic practice.

Credentials & Affiliations

MFA Fine Art — Goldsmiths College, University of London, UK
BA Fine Arts and Art Education — Universidade de São Paulo (USP), Brazil

I am a professional visual artist and art educator with more than 30 years of international experience in artistic practice, exhibitions, teaching, research, and artist residencies.

Throughout my career, I have participated in numerous international artist residency programs across Europe, Asia, and the Americas, working within different cultural and institutional contexts. My artistic research and projects have received scholarships, grants, awards, and institutional support from governmental and cultural organizations, including UNESCO, Arts Council England, and the Arts Council of Ireland, among others.

My work has been presented internationally in museums, galleries, biennials, art institutions, and independent projects, and is represented in public and private collections in Brazil and internationally, including the collection of the Museu de Arte do Rio (MAR), the Zabludowicz Collection in the UK, Brasil Golden Art, and the Sérgio Carvalho Collection.

My professional experience also includes the development and coordination of artist residency projects, workshops, educational programs, and mentoring for emerging and established artists.