Great Fiber Arts Classes with Expert Teachers Online
Find great Fiber Arts classes and instructors from John C Campbell Folk School, Maryland Sheep and Wool Festival, MAFA, and more at Lessonface.
Fiber Arts
Youngmin Lee is a textile artist who uses bojagi tradition and techniques to create her work. Her interest in textiles led her to study Clothing and Textile in college and received an MFA in Fashion Design in South Korea. She has researched bojagi making and techniques and endeavors to apply her findings to both traditional and contemporary art. After moving to California in
Fiber Arts
Henry has been building fiber art equipment for over 50 years and enjoys sharing his knowledge of both equipment and fiber. The family business he started in 1971 has introduced many innovations to the fiber arts community and their equipment is known for being not only thoughtfully engineered but visually pleasing and durable as well.
Fiber Arts
I have been teaching wheat weaving and straw art for over 25 years.
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Fiber Arts
Jill has been teaching online virtual weaving classes since the start of the pandemic. Her greatest joy is teaching weavers to design cloth through understanding individual weave structure's unique rules for threading, tie up and treadling.
Fiber Arts
Anne Choi is a fiber artist raising a small flock of Shetland sheep in Bedminster, NJ. She teaches spinning, weaving and dyeing while exploring the relationship between craft and imagination. She is the founder of NJ Fibershed, an educational non-profit organization dedicated to promoting local fiber production and use.
Fiber Arts
I love creating and teaching mosaics of all kinds - traditional glass to more contemporary materials, 2D and 3D pieces and Functional Art. One of my favorite things is helping folks get in touch with their creative streak through mosaics. I teach in Asheville, NC, and at the John C Campbell Folk School and welcome private parties to choose their own workshop. Find me at Linda
Fiber Arts
Tanis Gray Chang believes that we are stronger together. When we respect each other, listen, learn, and educate, we can lift each other up and thrive as humans. All are welcome here, regardless of gender identity, sexual orientation, race, age, religion, fiber/material choice, or crafting style.
Fiber Arts
Shana Cohen is an architect with experience teaching technical and design studio courses in several higher education venues. She brings her experience of geometry and writing design syllabi to my pattern writing. Her size-inclusive patterns are mostly modular designs, and mostly garter stitch! In pattern writing, she makes legible directions that allow the knitter to customize
Fiber Arts
Beth Truesdale has been a fiber arts enthusiast for over 50 years! An active spinner and weaver since the mid 1980’s, Beth has been teaching others for nearly as long as she has been involved in fiber arts. With many successful new weavers to her credit, she enjoys sharing these skills with others as much as doing them herself.
Fiber Arts
Charan Sachar is an artist whose work reflects his passion for the fiber arts, like knitting, spinning, weaving, quilting and he uses it as an inspiration for his clay work. In all the fields that he works in, he loves to accept challenges and approach the making with a “what if..” attitude.
John C. Campbell Folk School, Fiber Arts, Knitting...
Emolyn learned to knit at a young age without patterns which led her to also spin and dye yarn and wool. She has developed a line of handknits and yarns, and designs knitwear inspired by the yarn. She manages her business, The Roving Knitter, teaches people of all ages to knit and shows her work at craft shows and exhibits. See more of her work at therovingknitter.
Fiber Arts
Emily Wohlscheid is the fiber and metal artist behind Bricolage Studios. She works from a cooperative studio in Kalamazoo, MI and specializes in highly textural fiber batts and jewelry incorporating fibers and fiber themes. Through classes and workshops, Emily shares her knowledge of spinning, fiber preparation, and dyeing throughout the country. She has had articles published
Fiber Arts
Nam Joti Kaur Khalsa, who learned this traditional American broom making technique from her teacher, Karen Hobbs. Karen Hobbs was a long time student of John Campbell Folk School who instilled her love of basket weaving and broom making in dozens of students across the country.
Fiber Arts
Martha’s work is inspired by a deep respect for pre-industrial hand craft and informed by generations of sewers in the family.
John C. Campbell Folk School, Fiber Arts, Macrame
I love to teach others the joy of working with their hands. I specialize in Macrame and Macra-weaving. I make learning the basics fun and as simple as possible. If you can tie your shoes, then you can macrame. Then I encourage each student to explore as he/she creates finished projects suitable for showing off to friends and family.
Fiber Arts, Felting
Early fascination with fabric and fashion came from my seamstress mother. You might say fiber art is bound into my DNA. My felting journey began with a study of skin. Skin as a protective covering, and as identifier, and how it can record history. A study of animal skin, and human skin; leading to hybrids. All the while, intrigued with the way wearable art transforms its wearer
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Fiber Arts
Kelsey Wiskirchen is WARP’s Executive Director, a weaver, embroiderer, indigo dyer, and teacher. She has volunteered with weaving cooperatives in Bolivia and South Africa, and has worked in a number of community outreach programs focused on textiles with art educators, underserved youth, and the refugee community. She holds an MFA in Fiber Art from Arizona State University,
Fiber Arts
KATE ATHERLEY is an internationally known knitting author, teacher, and editor. Her latest book, Custom-Fit Hats is her ninth, and the fourth in a series on customizing projects for perfect fit and style; it joins works on shawls, socks, and mittens. She’s also the co-founder and publisher of Digits & Threads, an independent, member-supported online magazine about Canadian
Fiber Arts
Gayle Roehm is a former management consultant who now devotes herself to knitting and other fiber arts. She teaches nationally for knitting events, guilds and yarn shops. Her designs have been featured in Knitter’s, Interweave Knits, A Gathering of Lace, and other publications. She has also sold work at a fiber arts gallery.
Fiber Arts
My focus on designing weaves with the tools of our time—computers—started in the 1980s. Author of 4 books; presenter of courses both in person, online, and virtually (Zoom); but always at heart a weaver and designer.
Fiber Arts
Meagan Condon is a librarian and fiber artist with more than 10 years of teaching experience. Her areas of focus are microscopy of fiber, breed studies, plant fibers, natural dyes, digital community, and the science behind textiles. She has been published in PLY Magazine, Spin-Off Magazine, and The Wheel.
Fiber Arts
Elizabeth Whitton is a mompreneur who turned her love of wool into a thriving family-run needle felting business called Felted Sky. A self-taught needle felter, she has a knack for designing beautiful small projects that she has turned into a line of needle felting kits suitable for beginners.
John C. Campbell Folk School, Fiber Arts, Quilting
Annie is a fifth generation Californian, now located in Fort Worth, Texas. Her love of quilting went from hobby to profession in 1984. While working in Silicon Valley for twenty years, she honed her teaching skills on-the-job as a Customer Service Excellence instructor and teaching quilting classes at the local quilt shop.
Fiber Arts, Knitting
Heather Storta has been passionate about knitting from her first lesson in 2003. As a devoted lifelong learner, the minute she learned about TKGA and the Master Knitter program, she signed up. She became a TKGA-Certified Master Knitter in 2014 and was immediately asked to serve on the MHK Committee.
Fiber Arts
Carol James is a self-taught textile artist who has been exploring low-tech textile methods for 30 years. Focusing on sprang, she has examined items in collections across the US and Europe, and is known for her ability to replicate these historic textiles. She has also created modern garments deemed worthy of the Handweavers Guild of America fashion show.
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