Learn Weaving with Great Fiber Arts Teachers

A weaver since 1998, Denise Kovnat has taught virtually and at conferences and guilds across the United States, Canada, and Australia. She focuses on parallel threadings, collapse techniques, painted warps, and deflected doubleweave. In 2022, she published a book on collapse techniques, Weaving Outside the Box: 12 Projects for Creating Dimensional Cloth.

Teri Lucas is a quilter, teacher, blogger and author residing in Central Texas. Color, Thread & Free-Motion Quilting, published by C&T Publishing in July 2020,covers thread weight, thread and needle pairing, beginner color relationships, and what Teri calls the "theory of color relativity."

Kristine has been working in the fiber arts for her entire adult life from crochet, weaving, embroidery, sewing, etc. following in the footsteps of generations of fiber artists in her family. She started tablet weaving in 2021 quickly developing her skills, and rapidly advancing to complex weaving designs and techniques.

Beth began weaving in 1970. She is a student of Norman Kennedy, has had two extensive stays in Japan to study folk textiles, and holds an MFA in textiles from Georgia State University. A Folk School instructor since 1983, Beth currently lives in western North Carolina, where she weaves and teaches. She completed yoga teacher training through Asheville Yoga Center in 2011.

Sarah Boink is a New York–based fiber artist and educator whose work focuses on tapestry weaving with hand-spun, sustainable fibers. She is the founder of Sizz Handmade, where she creates contemporary tapestry work and weaving education rooted in material awareness, place, and environmental responsibility.

Sue divides her time between 3-dimensional and 2-dimensional work. She bounces back and forth between photography, web design and graphic design to seatweaving (chair caning, wicker repair, rush, splint, etc.) and basket weaving. Basketry started as an add-on to seat weaving because there was material begging to be used in more than one format.

Phyllis Miller discovered weaving in 1968, and her curiosity led her to explore many weaving techniques and structures. She has exhibited in New York City, throughout the Southeast, and in Minnesota. Her interest in Japanese sashiko-ori grew from an appreciation of the rich tradition of Japanese textiles and their patterns.

Mary Mandarino has a BS from Washington and Jefferson College, and 30+ years of weaving experience. As a member of the Weavers' Guild of Boston she currently serves as the Publicity and Social Media Chair. In the past, she has served as Treasurer, Special Workshop Program Chair, and Morning Workshop Chair.

Lily Hope (b. 1980) was born and raised in Juneau, Alaska to full-time artists. She is Tlingit Indian, of the Raven moiety. Following her matrilineal line, she’s of her grandmother’s clan, the T’akdeintaan. She learned Ravenstail weaving from her late mother Clarissa Rizal, and Kay Field Parker, both of Juneau.

I have been teaching wheat weaving and straw art for over 25 years.