Flute and Piccolo Masterclass with MET Orchestra Principal Piccolo Stephanie Mortimore
MET Orchestra Musicians Master Classes
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Program
– March 26, 2023: Flute/Piccolo
– Panelist: Stephanie Mortimore
– Performers: Tim Boyd, Anna Sung, Kitty Boese
Godard: Allegretto from Suite for Flute and Piano, Op. 116
Mouquet: "La flûte de Pan" Op. 15; II. "Pan et les Oiseaux"
Vivaldi: Concerto for Flautino in C major, RV 443.
I: Allegro
II: Largo
Rossini: Overture to "Semiramide"
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FLUTE/PICCOLO: March 26, 2023
Stephanie Mortimore
March 26, 2023
Stephanie Mortimore has held the position of Principal Piccolo with the Metropolitan Opera Orchestra since 2000. During the 2008-09 season, she served as Acting Principal Flute.
Ms. Mortimore has won numerous distinctions, including first prize in the Myrna Brown Competition, the James Pappoutsakis Competition and the Union League Civic and Arts Foundation Competition. She can be heard on three Grammy Award winning recordings with the Metropolitan Opera Orchestra.
An active recitalist and sought-after teacher, Ms. Mortimore has given numerous concerts and masterclasses in New York, Chicago, Boston, Dallas, and in her native state of Wisconsin. She has performed as a soloist with the Dallas Chamber Orchestra and will be giving the world premiere of Daniel Felsenfeld’s double piccolo concerto in Spring 2015 with Ensemble 212. She spends her summers performing with the Grand Teton Music Festival in Jackson, Wyoming.
Ms. Mortimore received her Master of Music from the New England Conservatory of Music and her Bachelor of Music from DePaul University. She also spent a year studying in Switzerland at the Conservatoire de Genève. Her teachers have included Geralyn Coticone, Paula Robison, Fenwick Smith, Mary Stolper and Keith Underwood.
– Visit Stephanie Mortimore's profile on Lessonface.
THE METROPOLITAN ORCHESTRA
Thrilling audiences with more than 200 performances each season, the MET Orchestra is one of the world’s great performing ensembles, both on stage and in the opera pit. Since its founding in 1883, the MET Orchestra’s performances have encompassed not only the entire opera repertoire, but symphonic and chamber programs at Carnegie Hall, international tours, and countless musician activities outside of the Metropolitan Opera House. The MET Orchestra has grown in the past four decades into an ensemble noted by singers, critics, conductors, and audiences as one of today’s most stylistically versatile and musically satisfying orchestras.
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