The Art of Intonation: A Practical Guide to Tuning for Violin and Viola

As string players, we spend an enormous amount of time thinking about intonation. We are often told that a note is either “in tune” or “out of tune,” and many of us grow up believing that somewhere there is one perfectly correct location for every note.

The reality is much more interesting.

Because the violin and viola have no frets, we have the freedom—and the responsibility—to determine the exact pitch of every fingered note. The best placement of a note can change depending on the harmony, the instruments playing with us, the musical style, and the expressive function of the note.

This course is about learning how to hear those differences and make intentional decisions about intonation.

$5.00
DIFFERENT WAYS OF PLAYING “IN TUNE”
Chapter 3
Pure Intervals and the Harmonic Series; Acoustics, History, and Musical Context
Chapter 4
Pythagorean Tuning and Just Intonation
Chapter 5
Temperament and Equal Temperament
Chapter 6
Expressive or Melodic Intonation
Chapter 7
How Do String Players Tune Today?
Chapter 8
The Same Note Can Have Different Jobs
MY PRACTICAL APPROACH TO INTONATION
Chapter 9
How Should We Tune the Open Strings?
Chapter 10
How to Use a Tuner Without Becoming Dependent on It
Chapter 11
Be Strict with Yourself
Chapter 12
Use Open Strings, Unisons, Octaves, and Perfect Intervals
Chapter 13
Learn to Hear the Beats
Chapter 14
My Daily Intonation Routine
Chapter 15
CONCLUSION — LET YOUR EARS BECOME THE JUDGE
Joy Lin

Joy Lin

Hello! I’m Joy. I’m a violist and violinist from Taiwan. I started learning viola at seven years old and violin at nine. Since I started playing, I immediately fell in love with the warm and human-like tone of both instruments. I graduated from Indiana University Jacobs School of Music with a Bachelor of Music in Viola Performance.

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